Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn
(March 14, 2019)
If you’re human, you’re biased. Now what?
Just reticence and tenderness, dabbed on the edges of nothingness.
Much of what geologists find as traces of the Anthropocene are also traces of the slave mode of production – but this is rarely mentioned.
How their everyday lives seem to be spared from all violence – just because the violence absent here has been relocated elsewhere.
What is one trillion to the tenth power?
This is, at the very least, a good example of the simplification, trivialization, domestication, and ideological neutralization of a complex and critical notion, which thus becomes just another commonplace that can then be reabsorbed into mainstream.
I think I’m gonna happen.
The problem with capitalism is that eventually you run out of other people’s commons.
All friends of the multiverse, of modal realism, also of pataphysics, but especially of alternate histories will rejoice!
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Autocomplete Credo
(February 18, 2019;
inspired by soulpunkps)
My name is a practice.
I was born at the moment.
My age is the new season.
I like to start the next time.
In The Year of 2018
(January 7, 2019)
Words Of The Year
Dietmar Dath
Kleine Polizei im Schnee
Marie-Madeleine de La Fayette
Die Prinzessin von Clèves
Elfriede Jelinek
Am Königsweg
Katharina II.
In Ihren Memoiren.
Maggie Nelson
Bluets
Sounds Of The Year
The Good, the Bad & the Queen
Marrie Land
Haiyti
Montenegro Zero / ATM
Moderate Rebels
The Sounds of Security
Neneh Cherry
Broken Politics
Tocotronic
Die Unendlichkeit
Performances Of The Year
Aphex Twin
Funkhaus Berlin
Four Tet
Funkhaus Berlin
Katarzyna Krakowiak
Berghain Berlin
Niels Lyhne Løkkegaard: Music for Krügerrand
G((o))ng Tomorrow København
Nordic String Quartet
Det Kongelige Danske Musikkonservatorium København
Thoughts Of The Year
Durga Chew-Bose
Too Much and Not the Mood
Dietmar Dath
Die salzweißen Augen
François Jullien
Vom Intimen
Audre Lorde
Sister Outsider
Adrian Nathan West
The Aesthetics of Degradation