Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn


(March 14, 2019)





If you’re human, you’re biased. Now what?


Just reticence and tenderness, dabbed on the edges of nothingness.


Much of what geologists find as traces of the Anthropocene are also traces of the slave mode of production – but this is rarely mentioned.


How their everyday lives seem to be spared from all violence – just because the violence absent here has been relocated elsewhere.


What is one trillion to the tenth power?


This is, at the very least, a good example of the simplification, trivialization, domestication, and ideological neutralization of a complex and critical notion, which thus becomes just another commonplace that can then be reabsorbed into mainstream.


I think I’m gonna happen.


The problem with capitalism is that eventually you run out of other people’s commons.


All friends of the multiverse, of modal realism, also of pataphysics, but especially of alternate histories will rejoice!


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Autocomplete Credo


(February 18, 2019; inspired by soulpunkps)





My name is a practice.
I was born at the moment.
My age is the new season.
I like to start the next time.











In The Year of 2018


(January 7, 2019)





Words Of The Year
Dietmar Dath Kleine Polizei im Schnee
Marie-Madeleine de La Fayette Die Prinzessin von Clèves
Elfriede Jelinek Am Königsweg
Katharina II. In Ihren Memoiren.
Maggie Nelson Bluets



Sounds Of The Year
The Good, the Bad & the Queen Marrie Land
Haiyti Montenegro Zero / ATM
Moderate Rebels The Sounds of Security
Neneh Cherry Broken Politics
Tocotronic Die Unendlichkeit



Performances Of The Year
Aphex Twin Funkhaus Berlin
Four Tet Funkhaus Berlin
Katarzyna Krakowiak Berghain Berlin
Niels Lyhne Løkkegaard: Music for Krügerrand G((o))ng Tomorrow København
Nordic String Quartet Det Kongelige Danske Musikkonservatorium København



Thoughts Of The Year
Durga Chew-Bose Too Much and Not the Mood
Dietmar Dath Die salzweißen Augen
François Jullien Vom Intimen
Audre Lorde Sister Outsider
Adrian Nathan West The Aesthetics of Degradation











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