Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn

(March 14, 2019)

If you’re human, you’re biased. Now what?

Just reticence and tenderness, dabbed on the edges of nothingness.

Much of what geologists find as traces of the Anthropocene are also traces of the slave mode of production – but this is rarely mentioned.

How their everyday lives seem to be spared from all violence – just because the violence absent here has been relocated elsewhere.

What is one trillion to the tenth power?

This is, at the very least, a good example of the simplification, trivialization, domestication, and ideological neutralization of a complex and critical notion, which thus becomes just another commonplace that can then be reabsorbed into mainstream.

I think I’m gonna happen.

The problem with capitalism is that eventually you run out of other people’s commons.

All friends of the multiverse, of modal realism, also of pataphysics, but especially of alternate histories will rejoice!

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Autocomplete Credo

(February 18, 2019;
inspired by soulpunkps)

My name is a practice.

I was born at the moment.

My age is the new season.

I like to start the next time.

In The Year of 2018

(January 7, 2019)

Words Of The Year

Dietmar Dath
Kleine Polizei im Schnee

Marie-Madeleine de La Fayette
Die Prinzessin von Clèves

Elfriede Jelinek
Am Königsweg

Katharina II.
In Ihren Memoiren.

Maggie Nelson

Sounds Of The Year

The Good, the Bad & the Queen
Marrie Land

Montenegro Zero / ATM

Moderate Rebels
The Sounds of Security

Neneh Cherry
Broken Politics

Die Unendlichkeit

Performances Of The Year

Aphex Twin
Funkhaus Berlin

Four Tet
Funkhaus Berlin

Katarzyna Krakowiak
Berghain Berlin

Niels Lyhne Løkkegaard: Music for Krügerrand
G((o))ng Tomorrow København

Nordic String Quartet
Det Kongelige Danske Musikkonservatorium København

Thoughts Of The Year

Durga Chew-Bose
Too Much and Not the Mood

Dietmar Dath
Die salzweißen Augen

François Jullien
Vom Intimen

Audre Lorde
Sister Outsider

Adrian Nathan West
The Aesthetics of Degradation

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